Emotions: Courtesy of Billy Joel
All right, so how many friggin' times am I going to point you over to the Genius that is Mark Terry? Really . . . will you just take my word for it? He has a blog series over there that is required reading. First, you can check his older blogs for a FANTASTIC series on freelancing for a living. And now he has one on what makes a "good" writer. And today he kind of called me out to blog on creating emotions.
You see, there are a couple of guys I know that I routinely ask about their wonderful writing, "Where's the emotional core?" when I critique, or something along those lines. Now . . . look . . . I cry at this. I cry at Kodak commercials. I cry when Oldest Daughter plays the violin. I cried the first time I heard her sing in public and realized, Holy crap, my kid could be a violinist OR a singer. How can one person have that much talent? And while I'm at it, How can I be so blessed? I cry when Demon Baby's eyelids flutter and he sighs or smiles in sleep, knowing he is having a good dream and I have the gift of watching that cross his perfect face. Yesterday, I cried over my less-than-three-hours-old Demon-Baby-destroyed brand-new vacuum cleaner. But really, crying over a Eureka? Yeah. I can do that. So if I am a muddled mess of crying tears of joy and tears of mourning (over a vacuum, no less), is it any wonder some of it ends up on the page? Oh, there's laughter too. And JOY! Lots of that. Happy tears, sad tears. Swelling heart. It's all cliched but true.
So here is the bookend to a scene in Magickeepers. In the scene, the young hero meets the oldest member of the clan (at least 100 years old). When he is shown into her room, she is staring out the window, lost in her thoughts, staring at snowflakes falling. Finally, she acknowledges him and explains her silence:
“I like to sit here and remember. I miss the snow. I miss how it smelled just before a snow, the sky as white as cotton. I miss my girlhood home. This is all,” she waved a hand, “designed to re-create my home, but I cannot re-create my family. I cannot recapture my girlhood. I am old, Koyla. But I like to look at snow.”
After a long and sad conversation, he leaves. And these are the final lines of the chapter.
He nodded and walked to the door. He started to say good-bye but he could see she was already lost in the snows of her childhood, gazing out the window and remembering her family.
With all emotion, I think I try to create bookends. Feelings that call upon other feelings. I believe that every emotion comes with it a tangled mass of other emotions, tied together by the story of our lives. Why do I cry at Kodak commercials? Because it's not the commercial, it's the damn grandpa. And even if I don't "think" of my grandfather, long lost to me, that emotion is instantly recalled but jumbled and distorted by the clever marketing of Kodak.
S0 I think, if I was to, as Mark wrote, say, "This is Part I," I would say no emotion anywhere in a book is in isolation. We are each to call upon the well of the reader's past and our own. So with that said, I leave you with perhaps one of my favorite songs. Ever. It makes me cry. Of course, it does. It makes me cry because it is not THIS song, but all it stirs.
And So It Goes
In every heart there is a room
A sanctuary safe and strong
To heal the wounds from lovers past
Until a new one comes along
I spoke to you in cautious tones
You answered me with no pretense
And still I feel I said too much
My silence is my self defense
And every time I've held a rose
It seems I only felt the thorns
And so it goes, and so it goes
And so will you soon I suppose
But if my silence made you leave
Then that would be my worst mistake
So I will share this room with you
And you can have this heart to break
And this is why my eyes are closed
It's just as well for all I've seen
And so it goes, and so it goes
And you're the only one who knows
So I would choose to be with you
That's if the choice were mine to make
But you can make decisions too
And you can have this heart to break
And so it goes, and so it goes
And you're the only one who knows.
Creating emotion is about calling on heartbreak every person has.
And so it goes.
Thoughts?

21 comments:
"I would say no emotion anywhere in a book is in isolation."
Oooh! I like that! A lot!
I've always thought that if I name the emotion, I spoil the creation of it. (Guess my fancy way of convincing myself to show and not tell.)
My former CP used to write "How does he/she feel?" all over my mss. Now when I write, I'm automatically add emotion. And often the emotion isn't about what just happened, but it's about what happened somewhere else.
I'm at a karate retreat today--I did 3 2-hour workouts. I want to cry.
I like my characters to have conflicting emotions, because to me that is most realistic - in certain circumstances. To be scared and excited and for the jumble of that to result in an outburst. So much behind each action, the motivation, the emotion is all buried deep in every character. And it's not always revealed completely, only in snippets - as it is in real life.
Emotion is probably my favorite part of a character's body because it's the hardest to convey to the reader.
Throughout my novel I've unknowingly drawn from the way I felt near the end of junior high, which was a trying time for me because I was going through some what of an identity crisis during the transition from all of the bad things I'd gone through to all of the good things that had started to happen. I didn't know how to conduct myself around people who weren't putting me down.
Emotions are so strange to me, in that you feel one way for the longest time and then suddenly you wake up and relized that you can't remember the way that unamed emotion felt in the first place.
Now I'm rambling...
(By the way, I think I fixed the comments on my blog, drop by and say hi some time.)
-J.T.
Spy:
In reality, each of our emotions is unique to us, but overall, they're all namable.
E
Edie: That's often the first thing I notice is missing. But "I feel" or "She felt" is passive, so it becomes all in the showing.
E
Mark;
A few tears would do you good. Promise.
E
Amy:
Very good point. Those are my "leave it up to the universe moments." Something will always tip the scales. That's life.
E
J.T.:
My favorite part too!!!
E
Beautiful poem!
Much of my good writing comes out of the pain I feel. It is good to be reminded of that.
You know something though, the hard part is writing emotion so that it resonates with other people. It is possible to write passionately and yet it is still too specific.
I like what Edie said about emotion is often what happened somewhere else.
I bow to you Mark, my work-out consists of lift laundry basket, drop toilet lid, fill in mud hole so kids can dig it out again...
I like what Joe Barone said. I always find it fascinating how in music and in writing, and really in any art form, you turn what is emotionally painful into something beautiful.
Joe:
It's a Billy Joel song, and has a beautiful, spare piano piece. I highly recommend getting a copy.
E
Richmond:
But there . . . there, it's all about the characters. Because if you can create characters who, in turn, generate EMPATHY then it crosses to universal emotions, I think. Versus . . . in real life, you can meet someone who complains in detail or who whines or who uses their heartbreak to be bitter or whatever. That's reality. In fiction, we get to create people that invoke readers to love them.
E
Oldest:
When I hear the Meditation you play, or Ashokan Farewell, it's just . . . so poignant.
xo
Mom
LOL, Erica. I meant in writing. If you had named it and had her say, "Snow makes me feel homesick," then you wouldn't have created the homesick emotion for the reader.
Spy:
Ahh . . . I get what you mean now.
E
or Ashokan Farewell
I love that piece. YouTube! YouTube!
Stepehn:
She played that the first time in 6th grade and it just made me cry. It is simple beautiful!!!!
She now has a Mac with a built-in Web cam. We shall see if I can con her into it. :-)
E
When I go through really rough times, I play Billy Joel all day and all night. He helps me get through the
days and nights. Well, maybe my husband Rich helps too, a little bit... :D OK, A LOT! He's my rock, Billy
Joel's my rocker...I might have to play more than4 this time: For The Longest Time, River of Dreams,
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