Sunday, April 27, 2008

Shortcuts and Originality

Last night, while hacking up a lung (CURSES to you, damn pollen count), I watched this movie. Unfortunately, that was approximately 1 hour and 45 minutes of my life I cannot retrieve. Were I not so sick last night, I would have turned it off and read, but sickness kept me passively watching this train wreck of a film.

I could go into the many, many, MANY reasons why I hated it. (The lone exception being the always-brillian Don Cheadle.) Sure, I am going to believe Liv Tyler as the wise-beyond her years shrink . . . SURE, I'm going to buy that Charlie can ride a motorized SCOOTER all through Manhattan, whose streets were strangely devoid of insane cabbies. (Hello????) I won't go on . . . and on . . . though I COULD. What bugged me most, as a WRITER, was the fact that the movie "shortcut" any sort of character development.

How do I know they shortcut character development? Any movie in which a person SINGING a song subsitutes for any real dialogue. Don't believe me? Recall ANY movie in which we are to believe in the "happy family" coming back together after crisis . . . and instead we get an air guitar/karoke/singing scene (the unwatchable Stepmom comes to mind with Susan Sarandon and her children singing, in nightshirts, into brushes as fake microphones while laughing happily). So last night's movie had the insane Charlie listening to Bruce Springsteen and then in the KEY scene launching into a Who song from Quadrophenia, I believe.

But screenwriters aren't the only ones who use these little tricks. Books do it too. How many books do I have to sit through where the "heart of gold" in the otherwise-mean character is the "so nice to his offbeat granny" thread.

Now, I use grandparents in my books often. I do it because I loved mine and I like to have grandparents actually be three-dimensional persons in books (I loved writing about Nan in Diary of a Blues Goddess). But it can be overused.

The fine line, of course, is showing, not telling. Versus trotting out cliches.

So what shortcuts do you hate from film and books?

26 comments:

Stephen Parrish 1:50 PM, April 27, 2008  

The relationship between Tom Cruise and Kelly McGillis in "Top Gun" was the absolute shallowest in Hollywood history.

And you can quote me, gosh darnit.

Erica Orloff 3:22 PM, April 27, 2008  

I shall quote you.

And yeah, WTF was up with that? He sings one song and this world-class flight instructor was blown away and falls at his feet? (note the SONG use again. I think I'm onto something!) ;-)

E

Zoe Winters 4:15 PM, April 27, 2008  

I'll forgive anything if the finished product amuses and entertains me. I've seen some things like what you've described and it pissed me off. But I've seen it other times where the context of what was trying to be accomplished (i.e. they were making some sort of statement that honestly didn't require very deep characters) it worked. Or...there are times when someone does everything wrong, but somehow you still have an inordinately stupid love of the finished product.

Conversely I've seen movies and read books where there was character development like crazy and it either fell flat (like they were trying to hard to make me bond with this character), or it just came off really really emo, like they were trying to be deep in the kiddie pool.

Erica Orloff 4:19 PM, April 27, 2008  

Hi Zoe;
Of course it's always in the execution. I have a long list of "Stupid Movies that I Love" and a long list of "Very Popular Films That I Should Have Loved But Instead Loathed."

E

Spy Scribbler 4:39 PM, April 27, 2008  

There's a certain point where being a writer gets annoying. Like, you almost always know whodunnit, because you know how a story is put together and you see what the writer has set up. And you always see why a writer is doing one thing or another.

When a storyteller is always doing the most obvious route to everything and doing it in the most obvious way, it's irritating. Like you said, a waste of time.

Sometimes I feel like they're practically flashing cue cards under the movie (or book):
"Now you will like this character."
"Now you will be fooled into thinking this is the villain."
"Now you will witness an a-ha moment, which will explain why heroine suddenly decides on a different path because it was easier for the writer to write."

Erica Orloff 4:45 PM, April 27, 2008  

OMG, Spy, yes.

When I met my significant other, I only watched "films"-usually European. He only watched movies that starred muscle-men, like Terminator. Over time, I came to appreciate a good popcorn flick. Over time, he would come to take apart film and see how utterly transparent some are in the set-ups.

That said, NO ONE wants to see a whodunnit with me, because I ALWAYS know whodunnit. It's the obvious, "They wouldn't waste five minutes developing this angle unless at the very end, this person did it." I knew the hairdresser in the Crying Game was a man. I knew Bruce Willis was really dead. It's hard to fool someone when they are expecting trickery. Especially once buzz starts like "there's a really big twist."

E

Anonymous 5:02 PM, April 27, 2008  

The trite phrase "I never meant to hurt you" is a ridiculous substitution for a real apology. How many people say that in real life, and yet sometimes it seems as if it's in every book or movie made within the last fifteen years.

Erica Orloff 5:30 PM, April 27, 2008  

caryn:
I hate vacant apologies in real life--unfortunately, have received far too many of them. And hate them on film.

E

Spy Scribbler 5:43 PM, April 27, 2008  

LOL, yes! It's like simple math. You rule out the obvious, of course. And it's almost always a character planted about 1/3 of the way through. If you plant too late, then it becomes too convenient. If you plant him too early, then it becomes too obvious.

Sometimes I feel like these red lights start blinking on and off and a siren starts screeching!

Jude Hardin 7:11 PM, April 27, 2008  

I had mixed feelings about the movie Juno.

In a film or book, I think I want at least SOME of my expectations to be met. I don't want a predictable plot, but neither do I want Bizzare-O world where all the actions/reactions are the opposite of what one might expect. That can also come off as contrived, in a backdoor sort of way. To me.

Marcia Colette 7:36 PM, April 27, 2008  

Off the top of my head, the only movie I can think of that ticked me off was The Last Mimzy. Please. No more dumb, closeminded parents and their smart, talented children. I ain't buyin' it. Ninety percent of the time, any movie where children are the core characters, that scenario will be there, especially if it has something to do with dancing or singing.

In the movie Narnia, I was so glad the professor didn't condescend the kids about their adventures in the wardrobe.

Erica Orloff 8:27 PM, April 27, 2008  

Jude;
One of my favorite movies ever. LOL!

I thought, actually, it wasn't so bizarre-o. But then again, I have weirdo friends. I thought she was quirky and funny and conflicted.

And the conflicted part was definitely the most realistic aspect of it. I thought that emotional resonance was really great--for me.

E

P.S. I also thought what could have been a few one-note roles, like the step-mom, were imbued with depth for a secondary character.

Erica Orloff 8:28 PM, April 27, 2008  

Marcia:
I hadn't thought of that, but yes. I really see my children as whole persons. And there is NOTHING that pisses me off faster than people who don't treat them as such. Hence my son's science teacher is known as the Nazi around here. SHE may see a long-haired hippie. I see a brilliant kid.

E

Edie Ramer 8:50 PM, April 27, 2008  

I just saw Juno last night and loved it! At one point my husband looked at me and asked, "Are you crying?" Yes, I was. Erica, I thought the stepmom was great too.

What I hate in movies are long stretches of chases, car or on foot, bike, whatever. Okay, I hate short and medium stretches of chases too. I also hate cars exploding when they hit. How often does that happen?

Erica Orloff 9:09 PM, April 27, 2008  

edie:
I wept in Juno. Hard! And the next day, when telling my Significan Other ABOUT Juno, I cried AGAIN. I thought it really . . . explored in a real way how complicated the adoption journey is.

I spent years working (volunteer) as a mentor to unwed teen mothers through an offshoot of the foster-care/adoption system. I saw stories of such power, such sadness. My "girls" were more impoverished, but the emotional journey was just as complex.

E

Jude Hardin 9:59 PM, April 27, 2008  

At the end, when Juno and Bleeker were sitting on the steps outside, I was hoping John Belushi would come along and smash one of their guitars to splinters. ;)

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Mark Terry 7:48 AM, April 28, 2008  

You know, this singing thing... I finally more or less made it all the way through MUST LOVE DOGS, which is a very lame romantic comedy with a stellar cast of actors who should have known better. But at one point--when the family even has strangers over!--they start singing the Partridge Family theme and the stranger, the REALLY GOOD LOOKING BUT NOT TO BE TRUSTED ALTERNATIVE LOVE INTEREST jumps up and goes off to the piano to accompany them.

And I'm thinking also of the film YOU'VE GOT MAIL, where we get the scene with Meg Ryan's pals standing around the piano singing Christmas carols (does ANYBODY do this? Really? Please, don't invite me over.) and the far more believable scene of the family sitting around listening to the kids' recital (hey, we've had the kids pull out their guitars for family stupid enough to ask, but it's never a formal thing).

Of course, I suppose people--sober people????--actually do sing karoake, but that doesn't mean anybody else in earshot has to like it.

This wasn't a good weekend for movies, though (and the Adam Sandler flick you mention is on our queu, although I think it's because my wife loves Don Cheadle; it's sure not because she likes Adam Sandler). Star Trek: Nemesis which was pretty lame, and I hate to say it, but Beowulf, which both my wife and I thought was boring. I mean, just because you can use computer animation doesn't mean you should use computer animation.

J. L. Krueger 9:02 AM, April 28, 2008  

In the movie Narnia, there is a good reason the Professor was not condescending toward the children about their adventure. In the final paragraphs of "The Lion, the Witch and the Wardrobe" it is clear that the Professor had been there.

I think the animated Beowulf was not as good as the version with Gerard Bulter...which is also much truer to the Saxon legend. The animated version was OK if your interest is 3D graphics, but the story is better in "live action".

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