Wednesday, October 03, 2007

Hints and Whispers

If I was going to state the number-one flaw of most writing I've been asked to edit over the last 20 years, it's probably the adage of show don't tell. I mean, I have edited grammatical nightmares, writers who never met a comma they didn't love, and writers who apparently have never met a comma, or gave them all away to the writer who loves them. But practical matters of grammar and punctuation and typos galore aside . . . show don't tell is one of the hardest things to get across to new writers or writers who haven't yet mastered it.

I consider show don't tell in the same category as back story dumping. It's all this telling and not enough showing. And I think, myself, I finally "got" it about the twentieth time I highlighted three pages of text and pressed "delete." Believe me, I get it. I think of it like this . . . I recently had dinner with a new friend, and part of the process of getting to know someone new is revealing your past--"here's my back story." How you got from birth to here, in ten major highlights. Someone asks you, "Why did you move to Virginia?" I could say "Because." But really, I am more likely to tell you the back story of the four major hurricanes, the back of my house that blew away, the roof perpetually losing tiles and leaking, nursing a baby in a closet as a category 3 blew through town and being unable to get diapers for another week. I have a back story. We all do.

And as a writer, and as a person, I understand that it is really fascinating to put it all out there. BUT . . . you often cross the line into "telling" category. You can tell the hurricane story in a flash of dialogue in your book. BUT, you wouldn't want to then add three pages of the actual EXPERIENCE of the hurricane. That's what I mean when I said I hit delete. Now I understand that all that back story doesn't belong. Instead, what I am left with is hints and whispers. Just enough that the reader can guess and surmise, enough to let the mood waft through the book. Enough to keep people reading until, little by little, the WHOLE back story comes out. I have a book now in which the entire journey of the heroine is to discover who her mother really was as a person, and readers will not know until the LAST page what the mother's whole back story is. That's 300 pages of whispers.

Go back to the dinner with a new friend. Even as they tell you all that back story, the hints and whispers are there. Think about it. You ask, "Do you have any siblings?" They say, "I have one sister and a brother. My sister lives about ten minutes away. We're really close. My brother . . . well, hmm . . . you know, he married this woman and we haven't spoken in ten years." Hell yeah, there's a story there. But it's, perhaps, a story for another day. You have time to get all the back story. Maybe even a whole book.

Thoughts? Hints and whispers in your own book? Your own life?

17 comments:

Edie Ramer 9:18 AM, October 03, 2007  

It stops me sometimes when I pick up a book and the first few pages are all telling. But these are usually books by bestselling writers, and I don't know if it would stop a reader who didn't know we're not supposed to do this. (I could name names but I won't.*g*)

I have a 4 protagonists in my wip, and they all have backstories, so I have a lot of whispers. I have one big one that won't be spoken out loud until the end of the book.

Erica Orloff 9:32 AM, October 03, 2007  

Hi Edie:
You know, sometimes, more and more, in fact, these "authors" are taking co-authors who write them now. I hate that--seems like cheating. And the quality reflects it, at least in my opinion. And sometimes you do see writing sloppiness, I think.

I like how you put it. Lots of whispers. :-)
E

Spy Scribbler 9:51 AM, October 03, 2007  

My own life? Hah! Even I don't know all my backstory!

I have the opposite problem with backstory. My characters tend to have no parents, no family ... I've always been on the outside, looking in, completely mystified. The unwritten rules surrounding family have always terrified me.

I LOVE the way you do the "mood wafting" thing in your books. :-)

Erica Orloff 9:56 AM, October 03, 2007  

Hi Spy:
But even if a character has no family . . . THAT'S a back story. In its unusualness, it's part of the story--you just have to have a back story that explains it, unless they were created in a test tube. ;-)

My characters usually don't have conventional families, but they have a rag-tag adopted family.

E

Heather Harper 10:55 AM, October 03, 2007  

I do a lot of telling in my rough, but that is because I have not plotted and I'm figuring out the back story as I write. I do go back and copy/cut/paste the TMI to other documents.

It's been really hard to do writing in first person. I think this is one reason it is taking me forever to write this book. But I'd rather take forever and finally "get it" so it isn't this hard the next time than simply "get it out there".

I hope that made sense.

Erica Orloff 10:58 AM, October 03, 2007  

Hi Heather:
I think, because I was an editor for so long, I edit in my head a bit before it gets to paper and my editing is pretty precise therefore versus a lot of rewriting--the process has definitely been refined/has gotten easier. And every book I learn something more,
E

Spy Scribbler 11:07 AM, October 03, 2007  

"Edit my head," I love it! I do that, too. About the test tube ... I'm saying it's a fault of mine, LOL. They should have a backstory even if they're from a test tube, but I never think of that. I must, though!

Ewoh Nairb 12:46 PM, October 03, 2007  

I'm still in the show-don't-tell learning curve. You would probably go bat-shit-crazy with my drafts. I know I do.

Word by word, sentence by sentence I am rewriting my stories to edit out "that" and all the backstory telling that should be, as you say, whispers.

I just keep telling myself that it is making the story stronger and I am learning the craft of storytelling... or is it storyshowing?

Erica Orloff 12:48 PM, October 03, 2007  

ewoh:
Many an author has driven me bat-shit-crazy. LOL!

But it's a learning process. I swear to you until I was in a writers' group when I was 23, I had NO idea what passive voice was. I mean, I "got" what it was, but had no idea I shouldn't use it in fiction . . . same with adverbs.

E

Ewoh Nairb 1:11 PM, October 03, 2007  

Gawd I need to have someone like you just beat that stuff out of me. Better yet would to be able to see it for myself as I am rewriting and fix it.

*sigh* I'll get there, eventually.

Erica Orloff 1:22 PM, October 03, 2007  

Ewoh:
Well, I can look for one of my editor whips. ;-)
E

Ewoh Nairb 2:02 PM, October 03, 2007  

LOL... whips? Awesome!

Just had the image of writers, wearing monk's robes, walking around reciting their stories, using whips to self-flagellate... well, it was funny when it popped into my head.

Erica Orloff 2:03 PM, October 03, 2007  

ewoh:
Well, thanks . . . NOW I have Monty Python images stuck in my head . . . remember, in Holy Grail?
E

Ewoh Nairb 2:11 PM, October 03, 2007  

remember??? the song is running through my head :)

BTW, this is a link to an 'unofficial' copy of the screenplay:
http://www.intriguing.com/mp/_scripts/mp-holy.asp

Hilarious read.

Gracie Thomas 3:48 PM, October 03, 2007  

I still "tell" in my first draft. I even think as I'm writing that I'm telling too much. But I've learned to think of my first draft as the frame of a house. It's the frame for the story. The inside: The details, the showing, the feelings are pulled out in the second draft.

And as for adverbs -- I have a hard time with that. I'm always scanning for the "ly" words to try to delete them. But a lot of romance authors use a lot of adverbs. In a writing group I belong to (years ago), one guy went on and on and on about my use of adverbs. He didn't get what a romance was and I didn't understand his griping about adverbs. Now I can laugh about that.

Tina

Erica Orloff 4:02 PM, October 03, 2007  

Hi Tina:
I;m with Elmore Leonard on the adverb thing. I might have a couple in 300 pages, but I try to avoid them like hell. To me, if I had to qualify ("Alas," he said sadly.) then I didn't write a strong enough piece of dialogue.

xo
E

Spy Scribbler 10:47 PM, October 03, 2007  

Ewoh! You made me splatter limeade on my desk! Hah! That's the most hilarious thing I've "seen" all day! Writers as self-flaggelating monks. ROFLMAO!


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