Under My Rock
If you've ever gotten up at 4:00 a.m. to write because you are on deadline, or you have ever lost sleep over your work in progress . . . if you've given up all sorts of free time and activities to pursue writing . . . if you have agonized over whether or not you are a hack, whether or not you even HAVE a book in you, or THIS book in you, you have probably asked yourself . . . WHY? Why do it?
As I tell elementary school kids when I talk about writing . . . a writer isn't something you BECOME. It is something you ARE. You may become a better writer, or a publishable writer because of long hours practicing your craft, but you were born a storyteller, a communicator, a writer.
Which brings me to this blog post. I know writers who have been working and working, unpublished for a while, when they each got a request from an editor. In a couple of cases, it was a request from an agent. Those editors and agents wanted to see "the full." And . . . in each case the writer "choked." Never sent it. Talked themselves out of it. Didn't actually have it finished and didn't ever finish. Whatever the scenario, it's a hell of a lot more common than you might think.
And somewhere along the way . . . I think, for them, they froze when the writing became less about the PROCESS--"Hey, I'm creating"--and more about the GOAL--"I want an agent; I want to be published." And somewhere, that shift became a death knell on creativity. The writer froze. It stopped being fun.
So now what?
Well, for me, when I am "stuck" someplace in that regard, I have to look at WHY. And usually, when I lift up that particular rock in that particular dark recess of my particular mind, and shine a flashlight at the creepy-crawly bugs, what I find is FEAR. Because if you SEND your great magnum opus to an editor who requests it or an agent who wants to see more, and they reject it, you can no longer avoid the truth--which MAY be that you're not ready. Which MAY be that all those insecure voices in your head are right. And so . . . you freeze up.
Or it may be something else entirely.
I know writers that never, ever finish anything. Ever. They convince themselves that it's no good and move on to the next great idea. And they keep doing that over and over and avoid the agent search. They don't have to get a professional opinion. They've already got a veritable Greek chorus of opinions in their head.
So how can you make the shift from writing for the process of it, to writing for a goal? And keep it fun, still a joy (if joy includes the occasional banging of the head against the desk)?
For me . . . it's a reminder, a constant reminder, that this biz is subjective. You need to find ONE editor or agent who likes your stuff. It's somewhat a numbers game and not giving up. And I think you need to not think of each work as your "only chance" to break in. It may be the third book or the tenth. You have to be in it for the long haul, not the forty-yard dash, and so it's OK if along the way you take some rejection, or you learn that you still have a lot to learn. If you give yourself that permission . . . . then it's still a process on the WAY or the PATH to the goal. But the goal is there--up ahead--somewhere. You don't know when. You don't know the timing. And that's OK. That's just how the universe works.
Thoughts????

9 comments:
*sigh* Well, you know my story. Becoming a writer happened by accident, but in retrospect, it seems inevitable. The fear is there for me, too. It freezes me up. The only thing that gets me past it is that the fear of not having enough money is greater.
So this NY dream with unpromised money is a fear I haven't yet managed to overcome. And that just brings along the insecurities, because I'm worrying that I would've never become a writer if my path had been any different, which makes me wonder if I'm a "become" instead of an "are," a hack and a fraud. Ugh, who knows. Brain, just shut up, LOL.
Once I use my fears against each other to sit down and start, LOL, I love writing. But getting to that mental spot is hard sometimes.
Hi Spy:
I hear you . . .
Oddly enough, I don't really have too many writing fears--except . . . except . . . once things are published, I feel a queasy sense of nakedness. Really hate that.
E
Well, I guess I fall into another category... or maybe I am just in between those that you set out.
For me, I get that this is a subjective business, and that it is the process of creating that I need to keep firmly in focus (so I don't lose the fun), and that I will always have something to learn [0]... but that is where I breakdown. I keep writing and editing and rewriting and incorporating everything I learn and never actually finish the story. I haven't found the "at some point you have to stop" stopping point yet.
But the thought of sending out something that is 'missing' or incomplete or not edited well just scares the heck out of me so I continue to postpone finishing anything.
And now that I just reread what I wrote I think I sound completely insane :)
*sigh* I guess I just still see myself as a hack and am afraid to have someone of "authority" actually agree with me.
[0] The art of listening is in where you choose to listen from. As an example, if I choose to listen to my creativity from 'I'm a hack' then nothing I ever write will come out well... just something else I can't show to the world. Another example - if I choose to listen from 'love', then every thing that my mother says is not a criticism or a complaint but just her way of letting me know that she cares and wants the best for me.
And then I read mt comment again and realized that my [0] note didn't exactly come out as I had planned... so the point was that if I listen from the point of view that I have something to learn, then I continue to develop my craft, but I seem to never stop learning enough to finish any project.
Letting fear stop me isn't my problem, with writing or anything else in my life. I think I'm too stubborn. Fear has held me up on one book, but I did get past it. Eventually. And it's turned out to be the favorite book I've written so far.
Hi Ewph:
There is definitely this very real stopping point once you start submitting or you get published. You also see that--well, I still get to see a copy edited version, I still get to edit it again after speaking with my editor--but there's this moment when you hit "send" and your manuscript heads to NYC when you feel the urge to take it back and fuss with it some more. So I "hear" you on that one.
hi edie:
Good for you . . . I don't get stopped too much either, but I watch writer pals struggle with it, and I know it's not easy.
E
Hear, hear! I'm very much in the 'never giving up' category. Not even after you've published. Because publishing constantly changes, and if you're not on top of things, you might get bowled under. I feel as though I've started my career over three times, and right now I'm digging my toes in and hoping this time around will be for a longer haul than the previous two. But if the market changes, and my toes are 'unloosed' from the ground, then I'll dig in my fingers, and start again.
I know you just have to find one editor who likes your stuff. But my goal now is to find another. Having two editors who like you is always safer than just one. :-)
michele:
Amen to that. Right now, I work with more than one and it's provided me relative career stability. "Relative" being the key term. It's a brutal, always-changing biz with markets whipping changes at you left and right.
E
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