Thursday, August 07, 2008

The Heavy Bag

Demon Baby has two amazing talents. One, he is a great breakdancer. I have no idea where he learned this particular skill, but he will lie down on his back and spin. He will do some weird "popping" motion, and something I call "the chopping arm." He is a sight to behold.


Skill set #2 is boxing.

Yes. I, a pacifist mother, appear to have birthed a child who is destined to box. All I can say is LOOK at that pretty face. How could I let him do it?
Now, here's the thing, he "boxes" me at any chance he can get. He's short, so that means he punches my thighs. And no, this isn't wild flailing, punching. This is his serious interest in fighting skills, and punching like a boxer. The stance, the bobbing, the weaving. He looks like this guy--one of my favorite boxers.
Surprise for you blog readers. Yes, I know about boxing. When I was in college, my room-mate decorated her side of the room with covers of this magazine. My half was decorated with magazine covers of THIS one. I gew up watching the fights with my dad. I dated a boxer. I loved the sport. When this show was on, I never missed an episode. I never let Demon Baby watch it, but somehow, he has absorbed the classic "fighter" stance, keeping his "gloves" (in his case . . . hands) up and not telegraphing his next shot. It is pretty amazing.
So Demon Baby's father said yesterday, "There's a long tradition of Mexicans in the ring. I am going to get him a heavy bag. Maybe it will channel some of his aggression. He can punch a bag. He has that lean physique."
Which BRINGS ME, at last, to writing.
Now, I am not saying I am going to let Demon Baby step into the ring, no matter WHAT his delusional father says. But I will at least acknowledge that all those Mexican fighters probably started training about Demon Baby's age. The Olympic fighters that will be competing next week probably started as kids, like my father, in some kind of Golden Gloves program. They trained the memory of their muscles young, until the muscles didn't have to think. They just did it.
So it is with writing. We each have some kind of heavy bag training. NONE of it involves READING. Reading, while so important, is like reading about boxing. It's like studying fight films and stances. It's only going to get you so far. At some point, you have to actually WRITE and punch the heavy bag. And at some point after that, the things you struggle with--passive voice, telling instead of showing--whatever it is, will start to strip away in favor of memorized muscle.
After 20+ years of writing fiction (at least), since my teen years . . . my heavy bag training is never complete. But some things are second nature to me now--like passive voice. When I started writing, I barely knew what that was . . . now . . . it's usually outta there. Cliche? No lumps in throats. No tears stinging eyes. No broken hearts. I can spot a cliche from a mile off. And better yet, so can my writers' group, so even if I attempt to slip in one sucker punch, they are going to nail me for it. I'm still working, I think, on MOVEMENT as a writer--every page being essential or else cutting the scene entirely.
And you? What's your heavy bag? What muscles are you training the hardest? What is now second nature.

24 comments:

Anonymous 9:36 AM, August 07, 2008  

Well, I'm almost there...it's almost second nature. I no longer write with "thought balloons" but I do still go back and check, especially in a rough draft. Usually there are none, occasionally one slips through.

Another thing that I've left behind after much "training" is too much set up that doesn't move the story along.

I'm working now on picking apart my dialogue, making sure that it is never a backstory dump, and that it's natural and integral to the story, containing good information and some great lines. I guess that's my heavy bag. Not just dialogue for the sake of "having dialogue" but something needs to be revealed or accomplished that can best be done within a conversation.

Erica Orloff 9:40 AM, August 07, 2008  

AMy:
It's funny, this book I am toying with is a couple of years old and I am shredding it up and reconstructing. And the "set-up" taking too long is what isn't working!!

:-)
E

Heather Harper 10:43 AM, August 07, 2008  

I can eat a Hostess Jumbo Honey Bun without blinking.

I'm still working out my writing muscles, though. ;-)

Erica Orloff 11:17 AM, August 07, 2008  

Heather:
I have never had one of those. But Cinnabon? Mmmmmmmmmmmmmmmmmmmm. :-)
E

Mark Terry 11:40 AM, August 07, 2008  

I'm sure SpyScribbler can relate to this post because one of the concepts I had presented to me as a pianist (by my brother, the music professor) was of muscle memory, that yes, you had to use your mind to practice, practice, practice, but you were training your body to remember how to play as well.

Years back I read a book on writing by the literary agent Scott Meredith and one of the things he said was he didn't like it when writers gave themselves permission to write crap in their rough drafts, because he felt you were training yourself to write crap.

Although I think sometimes you can try to hard on a rough draft to make things perfect and get all tangled up in self-editing, rather than writing, I think the point is worthwhile and I've tried to adopt it. It's made my nonfiction magazine writing a lot easier, because I've thought through things early and the first drafts don't usually require much more than tweaking.

It's the same concept as muscle memory.

Melanie Hooyenga 11:43 AM, August 07, 2008  

I'd say I'm doing a cross-training workout; training all my muscles on different days. Some days I watch for showing v telling, others it's making sure I describe the setting enough, the next it's eliminating unnecessary dialogue. Then I take a day off to stretch.

You should get DB a Lucha Libre mask. I know that's not boxing, but how fun would that be to watch!

Erica Orloff 11:58 AM, August 07, 2008  

Hi mark:
I write a pretty clean/tight first draft, too, and I don't ever do a "write fast" where I figure I will do extensive work later, probably for some similar reason, though I don't know that I ever verbalized it that way.

E

Erica Orloff 11:58 AM, August 07, 2008  

Melanie;
That would be a total riot!!!!!

E

Edie Ramer 1:30 PM, August 07, 2008  

I'm actually loosening up on some of my tight writing. For awhile I wrote too tight. Now I'm getting my voice in. I want that to be second nature and it's working to some extent.

I like Melanie's cross-training. Sounds good to me. :)

Erica Orloff 2:01 PM, August 07, 2008  

Hi edie:
I think you can paralyze yourself with concern for perfection on an early draft. I think every writer searches for that process that's right for them.

E

Aimlesswriter 2:17 PM, August 07, 2008  

I think I've finally tossed out the "tell". Its hard to do when you're so far into the story you stop looking at the writing. I guess that's what 2nd and 3rd drafts are for...

Aimlesswriter 2:19 PM, August 07, 2008  

Have you thought about Karate for Demon Baby? Most good studios focus more on the Zen of it instead of the violence.

Erica Orloff 2:21 PM, August 07, 2008  

Aimless:
Yes. His older brother and one of his older sisters take Ninjitsu--but they don't take kids as small as Demon. However, just yesterday, I saw an ad for a place with mini-warrior training or something along those lines. Demon went WILD. His eyes lit up. So I am calling the number . . . I think it would be good for him.

E

Anonymous 2:39 PM, August 07, 2008  

Hey Erica, DB is just too cute! Love the little guy. Anyhoo, since characters are my passion, I'm like a miner these days, the deeper I dig, the better. So, I'm doing the heave-ho, putting my body into it moves.

Bet your dad loves this DB stage!

Zoe Winters 2:49 PM, August 07, 2008  

For me reading has actually become a heavy bag. Because nothing teaches me like example. I've gotten better at seeing the flaws in the work of others, which has translated into me better seeing some of the flaws in my own work. I'm seeing what works on the page and what doesn't.

I think writing is it's own teacher, but you can only go so far IMO, without examples to look up to as some sort of guide on "what works" in fiction.

I think reading by itself won't cut it. And writing by itself won't cut it, but when you combine the two, magic can happen.

Spy Scribbler 3:59 PM, August 07, 2008  

What a cutie! He's got the look down already. :-) Boxing is just one of those sports I just can't watch. Watching people punch people in the face just makes me cringe and think of all the damage they're doing. I respect that it's a sport and I respect that they are athletes, though.

Reading is one of my heavy bags, too. I'll read books backwards, read just one subplot (and see how it works if I'm unaware of and skipping the rest of the text until later), and read for flow and pacing. It's definitely a high-intensity activity for me most of the time.

When I'm not reading, my writing chops deteriorate quickly. Fast. It's scary. Same if I take a day off of writing. It's like writing through glue or something.

My other heavy bag is pacing and flow. I'm pretty obsessed with rhythm. I do think I write too lean and focused, though, I think because I "grew up" in shorter forms. I've been trying to get myself to write whole lumps of extra scenes so I can pick, choose, and play with and move things around more.

Pretty much, I always try to shake things up and change, force my brain to always see things in a new way.

Erica Orloff 4:29 PM, August 07, 2008  

ladonna:
Yeah. Digging deep is good for the ol' muscles.
E

Erica Orloff 4:30 PM, August 07, 2008  

Hi Zoe:
I agree. I just know that the discipline of the heavy bag, so to speak, requires people to just DO it, as Nike says. I also forget sometimes that having spent 20 years in some capacity in the book biz or the other, I have a lot of reading experience under my belt, so you make an excellent point.
E

Erica Orloff 4:31 PM, August 07, 2008  

spy:
Shaking things up in a huge thing in training. That's why I think it's neat to try your hand at plays, or poetry, or whatever from time to time. Good to think of words in new ways, of rhythm in new ways.

E

Jude Hardin 5:20 PM, August 07, 2008  

For sale: baby shoes. Never worn.
--Ernest Hemingway

See, to me, that's the perfect story. Six words. As a minimalist, my goal is to get to the heart of the matter in as few words as possible. All stuff, no fluff. As a result, I sometimes tend to skimp on setting, the mechanics of movement, characters' emotions, and description in general. So I probably need to work on adding a tad more where those things are concerned.

Action and dialogue are among my strengths, I think, and I'm always looking (searching, reaching, digging, clawing) for a better verb.

:)

Sarah Laurenson 11:29 AM, August 08, 2008  

What Jude said. Sort of.

Getting to the heart of the story and not losing the voice as I translate it all to a query. That's my current heavy bag.

DB is adorable. I hope the warrior kid thing works out. He looks like he needs to channel that energy - somewhere other than mommy's thighs.

Erica Orloff 11:50 AM, August 08, 2008  

Jude:
interesting. Yes . . . digging, CLAWING for the right word. Like boxers with their jump rope work. Intense.
E

Erica Orloff 11:51 AM, August 08, 2008  

Sarah:
Yes. Channeling it would be good. I am tyring to tape him and put it on You Tube so people could SEE him in action.

A sight to behold.

But EVERY morning, he crawls in my bed, lies up, his cheek against mine. I pretend I am sleeping. And he whispers over and over, "I really love you, Mom. I love you SO much." And he pats my arm. So . . . somewhere in there lurks a sweet soul. :-)
E

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