Character on the Couch
And now . . . something new on the blog. (Drum roll and trumpets please.)
Characters. We're always talking about them. Booklist reviewed Do They Wear High Heels in Heaven and said, "Readers will recognize Orloff's trademark snappy dialogue and lovable characters . . ." I didn't realize I had a "trademark" but if I were going to have one, I would think that's what I would want.
My characters. Now, I wish I could tell you where they come from. Yesterday's post raised some interesting thoughts. Maybe they all come from me. Bits and pieces. I do know though, that finding a new voice for every book, finding new characters (lovable or unlovable) is a challenge. I can't tell you how many first chapters I have on my computer for unwritten books, as I "tried on" voices for size.
Kathy . . . a regular reader on the blog . . . and I have been discussing just how you get that voice, how you "connect" to your characters. And I offered to stick her work in progress, and her character, on our proverbial Couch. Analyze. Ask questions. Dissect.
So here's Kathy's "pitch":
Genre: Dark Paranormal Romance
During the Salem Witch Trials, a group of paranormally gifted women, to prevent their possible discovery, persecution, and destruction, encased a primary demon within an East Tennessee mountain. Aubrey Covington strives to prevent the release of the demon and the annihilation of the cornerstone of mankind.
Got it?
All right. Now for the character:
Aubrey is an intuitive healer. Her mere touch can give supreme pleasure or administer exquisite pain. At the risk of forfeiting her own, she is capable of granting life or ministering death. She has used all aspects of her abilities, even the forbidden giftings, and for doing so, the price she pays is steep. Her ancestors ingrained within her the responsibility of overseeing the imprisoned demon, but nothing could have prepared her for an encounter with a phantom warrior who is determined to destroy the demonic entity Aubrey must ensure remains trapped within the mountain.
So Kathy's going to drop by here today. She is struggling, fellow writers and readers. Not plot so much . . . but character. To relate to Aubrey, to write her.
So this may not be your character, but how do you approach this? What questions do you ask?
Oddly enough, my process is bizarre enough (or perhaps not, you tell me), that when a character springs to mind, they pretty much arrive with a full back story, life, friends. Spontaenously, or so it seems. The only thing I have to fill in is "voice." The specifics of how they talk, walk, tell their tale. Sometimes, like Booklist said, I go for "snappy"--and sometimes I know I have to pull back my natural tendency to write a little snarky. It doesn't fit the voice I'm aiming for.
My other "piece" is I worked as an editor. TRUST ME when I say other than acting, writers have the highest degree of propensity for insanity. So that job is part-editor/part-psychologist. Sometimes you babysit an author. And sometimes, like today, you babysit their characters. You have to pull out the details, the voice. As an editor, I would ask Kathy . . . .
What was Aubrey's childhood like?
Did she always know she had this gift?
Did it isolate her? Could she have any friends (or did her family isolate her intentionally)? Did she have to hide her gift?
How did the answers to those questions wound her?
So there you go. What questions do YOU have for our friend Kathy? AND . . . what questions do you ask when you're striving to get to know your characters? Note that I didn't ask what has become . . . almost routine on writing blogs. What's her motivation? When you're struggling with character, I think Jungian analysis is better. Motivation is too "big picture." It's too easy to summarize it in a throw-away sentence. I think, when you struggle with character, you have to start with intimacy . . . with the details.
But maybe I'm wrong.
Discuss. Ask questions. HI KATHY! Welcome to the blog.
And I'll run this feature from time to time, so if you want to be the next character "victim" on the Couch, email me at erica@ericaorloff.com.

25 comments:
Hi Erica. Hi Kathy.
It might be useful for Aubrey to start a "journal" written in first-person, a freestyle secret diary for your eyes only. She could start with some details from the past, and then work her way up to the present challenges and motivations.
Also, we know some of her powers from the pitch, but what are some of her weaknesses? What does she fear? What's her Kryptonite?
She's larger than life, but I think we also need to get a sense of her microworld, her human side. What gives HER great pleasure or agonizing pain? Think about what she absolutely needs, and how she might react if those necessities are suddenly in put jeopardy.
Hope this helps. Good luck!
Hi Jude:
Interesting technique. I've never tried anything like that. For me . . . I don't think it would work . . . somehow my characters are really gelled usually when I get my hands on them. But it's a very cool original idea to try.
E
Hi Kathy,
I'm like Erica in that my characters develop on the page a lot of time.
However, a couple tricks that sometimes can be useful. First, sometimes I will interview my character. This seems schizy (you're a novelist; compared to why? I ask), but, say:
Mark: Hey, Derek, what's new?
Derek: Go away. I'm on vacation.
Mark: A little grouchy these days?
Derek: I'm out of work, asshole. That makes me touchy.
Mark: Thought of getting into another line of work?
I'm more likely to do this if I'm away from a character too long or in between books, but one thing I like about it is I get the character's voice immediately. And I don't labor over it, I just write down pretty much the first thing the character says to me.
This can be a bit strange but one thing I always want to know about my main character is this:
If you weren't doing what you were doing, what would you wish you were doing?
In other words, like my character Derek Stillwater, who is a troubleshooter for the Department of Homeland Security and an expert in biological and chemical terrorism, what would he really rather be doing?
Sometimes the answer to this is: nothing. The character is doing precisely what they want to be doing. Some might rather be playing pro baseball or be musicians or, in the case of Derek, living a quiet, stress-free life as an academic, happily married with children (which, sorry, Derek, ain't going to happen).
Hi Erica and Kathy.
Erica, I've been lurking.
Kathy, I would ask your protag what she really really wants deep down in her heart. It could be something unexpected and not obvious but something that colors every move she makes.
Mark:
I love hearing all this process. Very interesting. Oddly enough, some of my characters wouldn't want to do anything else (Teddi in Mafia Chic comes to mind), but SOME, yes, would really rather be doing something else. And it shows in their weariness. Or resentment.
E
Hi Tena!!! :-)
Nice to see you in cyberspace.
I thought of that as we've been talking. In Kathy's character's case . . . is it AUBREY who wants to contain the demon? Or has her gift/family's mission been thrust on her unwillingly. By circumstance.
E
"She has used all aspects of her abilities, even the forbidden giftings,"
Hello Aubrey,
After reading this line, the first thing I'd want to establish is whether you are a nice person, desperate to please regardless of personal cost, or a power tripper who feels within her right to break rules for the outcome you think is best.
As a 'nice guy' you could be written with a fair amount of introspection, second guessing your power with lots of poignancy and fear.
However, with the ability to give "supreme pleasure or administer exquisite pain" with a mere touch, I think I'd write you with a kick-ass, no holds barred ton of attitude. Doesn't sound to me like you want to save the cornerstone of mankind for mankind's sake, but because you CAN dammit! Which makes you a promising contender to take on a "phantom warrior"
Just my admittedly cheap, Canadian $.02, but I'd 'dumb-down' the pitch, too.
Hi Lainey:
Thanks for your Canadian two cents. :-) I hadn't thought of the "kick-ass" angle.
E
This might sound odd, but I have a villian ask the character questions to make her stand up for herself, be assertive.
And mainly to coax the damn answers out of her. If I don't like them, I try something different. The point is to keep digging.
About the GMC...
I suck at GMC charts. What I try to do is find out what it is my character needs. What does she need that she's avoiding, or what does she need that she will do anything to achieve. I try to ask questions and plan around that need. (I think I stole this advice from Syd Field's Screenplay, but I can't remember.)
Hi Heather:
I guess we each "respond" to different prompts. For me, GMC never worked. It's too . . . I don't know . . . I'm more a "touchy-feely" writer, less about charts or specifics like that.
E
Erica, I very much appreciate this awesome opportunity!
What was Aubrey's childhood like? Aubrey was isolated as a child. She was raised by her mentor. Her mother did not have paranormal abilities; therefore, she wanted nothing to do with a child that did.
Did she always know she had this gift? Yes, Aubrey has always known she was different.
Did it isolate her? Could she have any friends (or did her family isolate her intentionally)? Aubrey is close with the ancestors of the original group. There a few of them remaining to oversee the demon within the mountain. Those in the community both fear and respect the woman who life atop the mountain.
Did she have to hide her gift? No. She has always been a healer and uses her gift. The community protects the witchwomen because of the services they do for the locals.
How did the answers to those questions wound her? She has had infrequent relationships with boyfriends. Because of her abilities, her connection with males always ends badly. Thus she insulates and isolates herself.
Great questions!
Jude,
Your journal idea is incredible!
We know some of her powers from the pitch, but what are some of her weaknesses? What does she fear? What's her Kryptonite? The more Aubrey uses her giftings the less energy she is able to store and maintain. Even though she can tap into the energy of those around her to a small extent, her energy resources deplete quickly and may leave her vulnerable to attack.
What gives HER great pleasure or agonizing pain? Think about what she absolutely needs, and how she might react if those necessities are suddenly in put jeopardy. Aubrey is invested in her remaining ancestors and in the community in general. They mean everything to her. To lose them or to see them harmed in any way is devastating to her.
Thanks so much for the journalling suggestion and for your thought-provoking questions!
Hi Kathy and Erica,
I like the ideas about a journal or an interview. I did a journal entry once with a character who wasn't coming alive. Before I finished the first page, I already knew his voice.
I do use GMC. For me, it's basic and easy. What does the character want (or need). What motivates her (why?). What gets in her way?
That also makes it easier to write the blurb.:)
Mark,
The interview technique sounds great!
Are there specific subjects you like to focus on with characters? Or does that vary with each character?
Thanks!
Erica and Tena,
What does she really, really want deep down in her heart? If she had her choice, Aubrey would have a "normal" life.
Is it AUBREY who wants to contain the demon? Or has her gift/family's mission been thrust on her unwillingly? By circumstance? The community has prospered and grown BECAUSE of the demon's presence. Basically, they don't want it set free, but they don't want it destroyed or sent back to the Netherworld. She grew into the responsibility due to her ancestry and gifting. Because of her need to control her ability and this weighty responsibility, she has never felt truly happy or free.
Your questions are taking me deeper into Aubrey's character, which is right where I need to go and to be. Thank you!
Lainey,
Love your Canadian 2 cents! Emphasizing her "kick-ass" aspect could be just what I need to drill into Aubrey's character.
Thanks!
Edie,
What does the character want (or need). What motivates her (why?). What gets in her way? Aubrey wants to prevent the release of the demon, then get back to pretending she has a normal life. Her responsibilities have been drilled into her. The cult, the phantom warrior, and her own need to escape from her responsibilities gets in her way.
Honing in on the GMC is going to help me a lot! Thanks!
Kathy, you have great GMC for Aubrey. ;)
Kathy,
When I do an "interview" it's pretty much like a conversation. Every time I've actually done it I start out with something banal like "Hi, how's it going?" Typically my characters get cranky when I interview them (go figure), like, "Oh, it's you again. Why are you bothering me this time? Getting ready to put my life in a pressure cooker again?"
I mean, they're minding their own business, leading their lives, then I come along and f*** with them. And they know it.
Mark:
That reminds me of that Stranger Than Fiction movie with Will Farrell and Emma Thompson.
E
I read through all the comments before typing away with this post.
Every post took away one of the ideas I had in mind for you to use Kathy.
What I am left with is nothing fancy, or terribly deep, but I think could be a good tool to draw out Aubrey a little more for you. I would simply have her go through the motions of answering a few memes - or pointless questionnaires like the ones floating about the internet/email/blogs.
Sometimes incites into character can be found through simple answers to banal questions. Much of what makes us tick, makes us human and therefor able to be sympathized with is the day-to-day things that we take for granted but can show others something that they would never have guessed or understood otherwise.
Things like what kind of music would they listen to on an ipod, pizza or burger? chocolate or vanilla... Those may not be appropriate for this particular character, but maybe the answers to similar questions would open up something.
I hope that helps, or even makes sense.
Well, isn't that what writers do to their fictional characters? It's not like anybody wants to read about happy, well-adjusted people to whom nothing happens.
Make your characters miserable and see how they behave.
Mark:
Mine almost always have great grief. I find the idea of loss . . . that EVERY person we love will one day pass on--or we will go first . . . to be one of life's enduring mysteries. The heart . . .
And yes, they would hardly be interesting if well-adjusted with no problems. :-)
E
Ewoh,
I get those personality-type surveys e-mailed to me all the time. Excellent idea! (I'm off to search my in-box for questionnaires.)
Thanks!
My gratitude for all your suggestions and guidance.
Thanks, Kathy
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