Watching for Your Word Hiccups
When I was 15, I went through a "like" stage. You know, like when you use the word like after every word. Like I went to a party and there was, like, this guy there, and you know, like, he was really, like, nice.
My mother effectively broke me of the habit after a few days. Because every time I said the word "like," she interrupted me and pointed it out--every, you know, like, time--which was annoying, so . . . it retrained my brain. Bad habit solved.
But it doesn't mean I no longer have word hiccups. They just appear in my writing now. Take the word "seemed." I do a search for it in every book. Because any time--ANY time--it appears, you can eliminate it.
"It seemed like he was the only one in the school building."
Now, I know why I might put the word "seemed" there. Because it only SEEMED that way, when, in fact, the crazed serial killer was having a tuna sandwich in an upstairs classroom. However, from the character's POV, he IS the only one, and so it's perfectly acceptable to say it without the seemed. Better yet, because I know my sloppy writing is behind the use of the word, why not reexamine the sentence and re-do it altogether? The building echoes. His footsteps reverberate . . . the building is dark, the lockers menacing. THEN the serial killer can pop out later, tuna fish breath and all.
My other word hiccup is "just." "It was just that he didn't know how he felt about the sandwich." What the HELL is that word doing in there? Not necessary.
Another one--that other word in there: "felt." Felt means I TOLD the reader how my character felt. Can't I show it? She didn't "feel" sad. Instead, she didn't get out of bed, tissues strewn all over the floor.
What word hiccups do you, like, struggle with?

24 comments:
Great post. I don't know what my word hiccups are, but I'm so curious to plug a few of these into my ms and find out.
I've also heard that every "very" can usually go.
Loving the editing tips, E!
:)
Amy:
Every "very" and "really" can go. Pretty much every superlative could probably be replaced by a better adjective rather than qualifying the existing adjective.
E
Just is my big hiccup. I do a search for it in every manuscript.
Very is a close second.
Erica,
I was so curious, I did a quick "find" in my 41,000 word document.
seemed - 14
just - 125
very - 122
really - 32
Guess I know what my word hiccups are!!!
Thank you - this was awesome!
"That," as in "He knew that she was watching." I have to do a word search to find them all. Yet when I read the works of others it seems to like jump out at me.
All of the above, I'm afraid. And it varies if I'm writing 3rd person versus 1st person. Sometimes I'm looser with it in the 1st person because a person's speech can be idiomatic, but you have to be careful you're not starting every other sentence or paragraph with "Anyway,..." which I found myself doing in a recent manuscript.
I'm sensitive to "then", as in:
She picked up the letter lying on the floor, then realized she was standing in a pool of blood.
There must be a better way than doing that.
And there are many, many more, many I don't even realize I have.
Hi Aimless:
Glad I am in good company.
E
Amy:
WOW! Well . . . see . . . .sometimes all you need to to recognize it. No more "justs" for you!
:-)
E
Hi Stephen:
"That" is a word . . . THAT when I edit in people's manuscripts (taking them out), they resist. I think we're all so conditioned to use it verbally . . . .
E
Mark:
I agree. My first is a lot looser.
Actually, in first, I sometimes don't use the sharpest verbs that I might in third because I don't think people really SPEAK so formally or write that way as internal thought or whatever. I would never say "I longed for him" or whatever . . . some romantic adjective, verus "want"--people just are more direct internally.
E
I struggle with all of them.
Here's a two-sentence paragraph from my WIP. Besides the rogue verb/adverb combo in the first sentence (which I refuse to give up in this case. I use about one per manuscript mainly to amuse myself), how might I better express what's going on here?
The afternoon sun throbbed hotly on Alex’s face. He felt as though he might be getting a fever.
PS: Oh, yeah. Which and about are a couple more of those hiccups. :)
Jude:
How about:
The afternoon sun feverishly pulsed on Alex's face.
E
All the above. And "looked." HUGE one for me. I mean, just say what the character is seeing, already. It's obvious she/he is looking!
My characters smile too much. If I'd let them, they'd alternate smiling and frowning every sentence like ridiculous clowns.
I enjoy starting sentences with "and," so I only let myself do it once in awhile, lest it lose its power. Same goes with short, one-sentence paragraphs.
There are plenty more. Just can't remember them at the moment. :-)
spy:
"Looked" is one of mine, too.
E
I'm going with this for now:
Three o’clock finally came. Loren practically skipped along the sheltered sidewalk toward the student parking lot. Alex sauntered several paces behind, the afternoon sun pulsing feverishly on his face.
Thanks, Erica!
Cool what you did with Jude's sentence, Erica! Beautiful, and great example. I hiccup a lot, and like Spy my characters smile too much. I'm on a first draft now, so it should be interesting when I'm done and over to check those burps along the way. I'm sure I won't be smiling like those characters of mine.
ladonna:
Ahh, the paces we put ourselves through.
E
"Just" and "that" are my crutch words. Those little suckers are like mosquitoes that keep poping up and sucking the life out of my story when I least expect it.
"Well" is another crutch word, but for some reason it only pops up in dialogue. Not sure why.
Marcia:
I use "well," too--I think I like to "transition" dialogue the way people do in real life. But it gets overused.
E
Someone told me that I use the name and corresponding pronoun too much. Every sentence has the character as the subject. How do you write a story without doing this?
In this paragraph 3 of the 4 sentences start with Glen or he.
Glen ducked beneath the tape declaring his house to be condemned. He had to find his mother’s letter. The living room, kitchen and third bedroom were destroyed where the oak tree had landed on them. He avoided looking at the couch with its blood stained pillows scattered like discarded bandages.
I have a lot of people who "look" and "walk" and in SAVE MY SOUL a lot of people "slumped unconscious" so I had to make them stop slumping.
Richmond Writer:
You know, that's the agony of the edit. :-)
Condemned. Glen ducked beneath the ominous tape, desperate to find his mother’s letter. The living room, kitchen and third bedroom were destroyed where the oak tree had landed on them. Averting his eyes, he hurried past the couch with its blood-stained pillows scattered like discarded bandages.
zoe:
LOL! No slumping allowed. :-)
E
Thanks.
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